Tac System VMC-102 Studio Monitoring Controller

For Pro Tools, Avid and Pyramix Systems

Tac System VMC-102 Studio Monitoring Controller 2017-02-22T15:37:44+00:00

Project Description

Tac System VMC-102 Studio Monitoring Controller

Advanced audio monitoring system with touchscreen control, for mixing up to 128 inputs into 32 outputs. Ideal for multi-stem monitoring with Pro Tools or Avid systems; caters for all current and projected surround formats.
Controller:

  • Compact, stylish desktop unit
  • Large, illuminated rotary control for monitor volume
  • Push-buttons for primary monitor functions: Dim, Mute, Talkback, Speaker select, etc.
  • Built-in talkback mic
  • 4 switches for user-programmable setups

Facilities:

  • 6” x 3.5” colour touchscreen for all configuration and setup options
  • User-definable main screen – layout, button names, colours, etc.
  • Any combination of input channels can be mapped onto any source button(s)
  • Speaker sets, cue feeds, talkback, etc. can be fed by any output channels
  • Mono compatibility check
  • Downmix with user-definable parameters
  • Monitor level readout in Relative and Absolute SPL (after calibration)
  • Downmix and mono modes

Connectivity:

  • 2 x dual SC multi-mode optical ports for MADI I/O
  • Directly compatible with DirectOut ANDIAMO range of MADI interfaces
  • Headphone output
  • GPIO port (8 in/8 out)
  • RS-422 port
  • Ethernet and USB ports

The VMC-102 is designed to work in tandem with a bidirectional MADI interface such as the DirectOut ANDIAMO Series. Several ANDIAMO models are available to convert between MADI and up to 64 channels of analogue and/or AES3 digital audio. See DirectOut ANDIAMO.2, ANDIAMO 2.DA, ANDIAMO 2.DA, ANDIAMO.AES and ANDIAMO 2.XT.

Description

The TAC System VMC-102 is a studio monitoring controller intended for use in film and broadcast sound mixing and post-production in studios using Pro Tools, Avid or Pyramix systems. It has particular application to Object Audio, where stem metadata is transmitted within a stereo mix allowing the recipient to determine the specific content, such as language selection, and to formulate the audio format that best suits their requirements.

The VMC-102’s native audio I/O format is 64-channel MADI and therefore it can connect directly to MADI equipped workstations or consoles. Other systems with analogue or AES IO may be connected via appropriate MADI converters such as the ANDIAMO range from DirectOut as recommended by Tac System. VMC-102’s software incorporates DirectOut’s own control application, allowing setup and control of the routing matrix and other unit parameters within the external interface via the MADI connection. Other suitable interfaces include the NTP PENTA and DAD (Digital Audio Denmark) AX-32, which receive their configuration data from the VMC-102 via Ethernet.

The VMC-102 offers maximum flexibility in I/O assignment, and thus is ideal for use in facilities where multiple stems for dialogue, music, atmos, effects, etc are used. Input channels may be freely assigned as part of any stem, the number (and naming) of stems is user-definable, and each stem may be any “width“ (stereo, 5.1, 7.1, etc.) as required. As there is no restriction on input assignment, the VMC-102 is compatible with all current and planned surround sound formats. On the output side, any number of destinations may be freely mapped onto the output MADI channels: these can include multiple sets of monitor loudspeakers, again in any stereo or surround configuration, plus auxiliary sends, cue sends and talkback. Power amplifiers, cue systems, etc. are then connected to the outputs of the MADI interface as required. Once an input/output configuration has been defined in this way, it may be saved for subsequent recall.

The controller itself is a compact, elegant free-standing unit with all the primary monitoring functions – level, mute, dim, speaker selection, talkback, etc. – selected or adjusted by physical controls. The large main level control has a multi-colour LED ring which changes colour to indicate dim and mute modes. Dim level is user-definable. The controller uses a colour touchscreen display for all other system access. The main software design consideration has been to minimise the amount of screen access required once the configuration for the job has been set up. In general, the physical controls plus the main page will suffice for most operational actions.

The main page carries a set of buttons which enable each pre-defined stem to be selected for monitoring, together with Cue, downmix and mono mode selection. Stem selection is additive, so individual components of the total mix can be worked on in isolation. A comprehensive set of Solo functions is available on a separate page. A downmix function, whose width and channel parameters are user-definable, may be selected at any time to check compatibility with other surround formats or stereo. A dedicated mono function allows mono compatibility to be checked. Additional functions such as individual level trims and delays for each speaker set are available through further configuration pages.

An alternative physical version of the controller is available for direct integration into an Avid S6 control surface.

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